BORN 1967, Newport Beach, California
Lives and works in Los Angeles, California
EDUCATION
1993 MFA, Art Center College of Design, Pasadena, CA
1991 BA, Humanities, San Francisco State University, San Francisco, CA
SOLO EXHIBITIONS
2016 UH-OH: Frances Stark 191-2015, MFA Boston, Boston, MA
2015 UH-OH: Frances Stark 191-2015, The Hammer Museum, Los Angles, CA
That’s What She Said: Frances Stark 1991-2015, Hammer Museum, University
of California Los Angeles, Los Angeles, CA
Sorry for the wait, greengrassi, London
2014 Welcome to Screenland, Satellite Gallery, Vancouver
Clever/Stupid, Galerie Daniel Bunchholz, Cologne
Look, read along with me…, Hayward Gallery Project Space, London, UK
Bobby Jesus’ Alma Mater, Marc Foxx, Los Angeles, CA
Frances Stark, Kunsthalle Zurich, Switzerland
Gavin Brow’s enterprise, New York, NY
2013
Number Seven: Ed Atkins/Frances Stark, Julia Stoschek Collection, Dusseldorf, Germany
MEMENTO MORI towards a compendium of disseminations, Gallery Paule Anglim,
San Francisco, CA
Frances Stark: My Best Thing, Ian Potter Museum of Art, The University of Melbourne, Australia; Contemporary Art Gallery, Vancouver, Canada
2012
Osservate, legget con me, Gavin Brown’s enterprise, New York, NY
My Best Thing, Contemporary Art Gallery, Vancouver, British Columbia, Canada
2011
My Best Thing, MoMA PS1, New York City, NY
Other parts considered in relation to their whole, Performa 11, New York, NY
The whole of all the parts as well as the parts of all the parts, Mill College Art
Museum, Oakland, CA
My Best Thing, screening, The Banff Centre, Alberta, Canada
My Best Thing, screening, Institute of Contemporary Arts, London, England
My Best Thing, screening, Marc Foxx Gallery, Los Angeles, CA
I’ve Had It and a Half, performance, April 17, 2011, Hammer Museum, Los Angeles,
CA
Selections 1: “I Went Through My Bin Again (with Open Robe”: A Very Short
Introduction to Frances Stark, Pollock Gallery/Division of Art, Meadows
School of the Arts, Southern Methodist University, Dallas, TX
2010
This could become a gimmick [sic] or an honest articulation of the
workings of the mind - MIT List Visual Arts Center,
Cambridge, MA
But what of Frances Stark, standing by itself, a naked name, bare as a
ghost to whom one would like to lend a sheet? - Centre for
Contemporary Arts (CCA), Glasgow (Scotland)
I’ve Had It! And I’ve Also Had It!, performance, June 30, 2010, Wheeler
Opera House, Aspen, CO
2009
Frances Stark: and possibly - Marc Foxx, Los Angeles, CA
And possibly but not certainly Mark Leckey and Frances Stark,
Galerie Daniel Buchholz, Berlin, Germany
But what of Frances Stark, standing by itself, a naked name, bare as a
ghost to whom one would like to lend a sheet? - Notingham
Contemporary, Nottingham, England
2008
The New Vision, Portikus, Frankfurt, Germany
A Torment of Follies, Wiener Secession, Vienna, Austria
A Torment of Follies, greengrassi, London, England
The Fall of Frances Stark, Culturgest, Lisbon, Portugal
2007 Frances Stark: The Fall of Frances Stark, Van Abbemuseum, Eindhoven,
The Netherlands
Traveling to: Frac Bourgogne, Dijon (9/21/07 – 1/13/08)
Culturgest, Lisbon (2/15/08 – 5/4/08)
2006 Frances Stark: Structures that Fit my Opening, Marc Foxx, Los Angeles, CA
2005
Frances Stark - CRG Gallery, New York City, NY
2004
Frances Stark: Bless this mess - greengrassi, London (England)
Frances Stark - Galerie Daniel Buchholz - Köln, Cologne
2003 And Another one at the Same Time, Gallery Paule Anglim, San Francisco, CA
2002 A Bomb upon the Ceiling, Marc Foxx, Los Angeles, CA
Hammer Projects, UCLA Hammer Museum, Los Angeles, CA
Self-Portraiture, greengrassi, London GB
2001 CRG, New York, NY
Daniel Buchholz, Cologne, Germany
1999 No, No, No, No, Now., Marc Foxx, Los Angeles, CA
What Part of Now Don’t You Understand, China Art Objects Galleries,
Los Angeles, CA
like a rainbow and so unlike a rainbow, CRG, New York, NY
1998 Impossible the grassy maxim’s dream...., greengrassi, London, GB
In other places Light’s pitched happy tents, Marc Foxx, Los Angeles, CA
1997 Gallery Paule Anglim, San Francisco,CA
1996 Plain Sheets No Pillow, CRG, New York, NY
Studio 246 Künstlerhaus Bethanien, Berlin, Germany
1995 Last year b/w I hate language, ACME, Santa Monica, CA
1994 Spring for Fall, LEAK, Los Angeles, CA
1993 Slough(it off) b/w Purple Prose, MFA Gallery, ACCD, Pasadena, CA
1991 The Guest Room, Los Angeles, CA (catalogue)
SELECTED GROUP EXHIBITIONS
2016 Giles, Gagosian Gallery, Athens
The Grand Balcony, La Biennale de Montreal, Montréal
HOME, LUMA Westbau, Zurich
Collected by Thea Westreich Wagner and Ethan Wagner, Centre Pompidou, Paris
Manifesta 11, Self-Portraits and Self-Promotion, Löwenbräukunst, Zurich
Emotional Supply Chains, Zabludowicz Collection, London
SECRET SURFACE: Where meaning materializes, KW Institute for Contemporary Art, Berlin
Electronic Superhighway, Whitechapel, London
Me, Myself, I, China Art Objects Galleries, Los Angeles, CA (organised by John Morace)
2015 Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York, NY
THE NEW HUMAN: You and I in Global Wonderland, Moderna Museet Malmö, Malmö
No Joke, Tanya Leighton Gallery, Berlin
Occupational Therapy, Contemporary Art Museum, St. Louis, MI
Many Things Brought From One Climate to Another, Art Gallery of Ontario, Toronto Under the Clouds: From Paranoia to the Digital Sublime, Serralves Museum of Contemporary Art, Porto
“Retrospective”, Gallery Paule Anglim, San Francisco, CA
2014 Frances Stark / Jennifer Bornstein / Judith Bernstein, Gavin Brown’s Enterprise, New York, NY
Words and Doors in Language, Art and Film, Kunstlerhaus, Halle fur Kunst und Medien, Graz
La Voix Humaine, Kunstverein Munchen, Munich
Summer in Black and White, Gallery Paule Anglim, San Francisco, CA
2013 Carnegie International 2013, Carnegie Museum of Art, Pittsburgh, PA
2012 Lost Line: Contemporary Art from the Collection, Los Angeles Museum of
Contemporary Art, Los Angeles, CA
Infinite Jest, Hebbel Am Ufer, Berlin, Germany
Candor: In Honor of Mike Kelley, Long Beach City College, Long Beach, CA
Paper, Musée d’art modern et d’art contemporain, Nice, France
Spelling the Image, Marc Jancou Contemporary, New York, NY
O to 100: The New Ages of Life, Palazzo de Enzo, Bolona Italy and Trienniale,
Milan, Italy
West Gallery, Frances Stark, Marc Foxx, Los Angeles, CA
2011 Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin, Germany
Venice Biennale 54th International Art Exhibition, Venice, Italy
15th Tallinn Print Triennial (diploma), Tallin, Estonia
All of this and nothing, Hammer Museum, Los Angeles, CA
MADE UP: Design’s Fictions, Art Center College of Art and Design, Pasadena, CA
2010 The Artist’s Museum, The Museum of Contemporary Art, Los Angeles, CA
Following a Ling, Contemporary Art Gallery, Vancouver, Canada
Restless Empathy, Aspen Art Museum, Aspen, CO
Dexter Sinster, A model of The Serving Library, Kunstverein, Amsterdam,
Netherlands
The Page, Kimmerich, New York, NY
For the blind man in the dark room looking for the black cat that isn’t there,
Culturgest, Lisbon
Wunsch Zettel, Staatsgalerie, Stuttgart, Germany
Compsdd in Hand: Selections from The Judith Rothschild Foundation Contemporary
Drawings Collection, Museum of Modern Art, New York, NY
2009 Talk Show, Institute of Contemporary Arts, London, England
The Space of Words, Museum of Contemporary Art (MUDAM), Luxembourg
Poor.Old.Tired.Horse., Institute of Contemporary Arts, London, England
Picturing the Studio, Sullivan Galleries at The School of the Art Institute Chicago,
IL
For the blind man in the dark room looking for the black cat that isn’t there,
Contemporary Art Museum, St. Louis, MO
For the blind man in the dark room looking for the black cat that isn’t there,
Musuem of Contemporary Art, Los Angeles, CA
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art,
Los Angeles, CA
1999: Ten Year Anniversary Show, China Art Objects Galleries, Los Angeles, CA
Glue, Paper, Scissors: Collage based work by 15 artists from Los Angeles, Luckman
Gallery, California State University, Los Angeles, CA
2008 INDEX, Conceptualism in California from the Permanent Collection, Museum of
Contemporary Art, Los Angeles, CA
Emerson vs Nietszche, China Art Objects, Los Angeles, CA
Pretty Ugly, curated by Alison Gingerars, Gavin Brown Enterprise and Maccarone
Gallery, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY
Yes No Other Options, curated by Jan Verwoert, Sheffield 08, Sheffield, England
Cohabitation: 13 Artists and Collage, Francesca Kaufmann Gallery, Milan, Italy
Grabbing at Straws, Studio Guenzani, Milan Italy
Word Event, Kunsthalle Basel, Switzerland
2007 Pacific Light: California Watercolor Refracted, 1907 – 2007, The International Center
for the Arts at San Francisco State University, San Francisco, CA
Blind Date Istanbul, Sabanci Museum, Istanbul, Turkey
Learn to Read, Tate Modern, London, England
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, NY
For REE, Marc Fox, Los Angeles, CA
If I can’t Dance, I Don’t Want To Be Part Of Your Revolution, Museum of
Contemorary Art, Antwerp, Belgium
Romantic Conceptualism, Nurenberg Kunstverein & BAWAG Foundation, Vienna,
Austria
I can’t live without, The Showroom, London, England
Working on Talking, Gambia Castle, Auckland, New Zealand
2006 If I can’t Dance … Feminist Legacies and Potentials in Contemporary Art Practice,
De Appel, Amsterdam, the Netherlands
The Studio, curated by Jens Hoffman and Christina Kennedy, The Hugh Lane
Museum, Dublin, Ireland
Dereconstruction, Barbara Gladstone Gallery, New York, NY
Galerie Daniel Buchholz, Köln, Metro Pictures, New York, NY
Esquiador en el fondo de un pozo, The Jumex Collection, curated by Michel
Blancsube, Mexico
Textual Works: Bethan Huws and Frances Stark, New Langton Arts,
San Francisco, CA
666, USC Roski School of Fine Arts, Los Angeles, CA
2005 Looking at words: The Formal Presence of Text in Modern and Contemporary
Works on Paper, Andrea Rosen Gallery, New York, NY
Monuments for the USA, White Columns, New York, NY
Gallery Artists, Marc Foxx, Los Angeles, CA
Post No Bills, White Columns, New York, NY
2004 Works on Paper, Philomene Magers, Munich, Germany
Martin Klosterfelde, Berlin Germany
The World Becomes a Private World: Selections from the collection of Penny Cooper
and Rena Rosenwasser, Mills College Art Museum, Oakland, CA
2003 The Space of Writing, MKG Art Management, Houston, TX
The Great Drawing Show: 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, CA
Drop Out!, China Art Objects Galleries, Los Angeles, CA
Creeping Revolution 2, Rooseum, Malmo, Sweden
2002 Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, United Kingdom
Zusammenhange herstellen, Kunstverein in Hamburg, Germany
A Show That Will Show That A Show Is Not Only A Show, curated by
Jens Hoffman, The Project, Los Angeles,CA
Group Show, MARC FOXX, Los Angeles, CA
Jim, Jonathan, Kenny, Frances and Sol, curated by Maxine Kopsa, Stedejilik
Personal Plans, Kunsthalle Basel (catalogue)
Rock My World, CCAC, San Francisco, CA (catalogue)
Paintings, MARC FOXX, Los Angeles, CA
2001 Drawings, Greene Naftali, New York, NY
Frances Stark meets Morgan Fisher, Klosterfelde, Berlin, Germany
Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
The Slide Area,curated by Terry R. Myers, James Van Damme Gallery, Brussels, Belgium
Ileana Tounta, Athens, Greece
Locating Drawing, Lawing Gallery, Houston, TX
White Album, curated by Jan Tumlir, Shoshana Wayne Gallery, Santa Monica, CA
2000 Circles, ZKM, Karlsruhue, Germany
OO, Barbara Gladstone Gallery, New York, NY
made in california: art, image, and identity, 1900-2000, LACMA, Los Angeles, CA
Of the moment: Contemporary Art from the Permanent Collection, San Francisco Museum of Moderrn Art, San Francisco, CA
Daniel Buchholz, Cologne, Germany
Jurgen Becker, Hamburg, Germany
Opere Su Carta, Studio Guenzani, Milan, Italy
L.A., Monika Sprueth & Philomene Magers, Cologne, Germany
1999 Philomene Magers Projekte, Munich, Germany
Hot Spots, Weatherspoon Art Gallery, University of North Carolina at
Greensboro & Pittsburg Center for the Arts, PA
1998 In the Beginning, Murray Guy, New York, NY
Word Perfect, Gallery 400, University of Illinois at Chicago, Chicago, IL
Obscure Camera, 2nd Space Gallery, curated by Mary Ceruti, San Francisco, CA
Paper Thin, Stephen Wirtz Gallery, San Francisco, CA
L.A. on Paper, Three Day Weekend @ Gallerie Krizinger, Vienna, Austria
New Work: Drawings Today, SFMOMA, San Francisco, CA
Tracing Marks, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Paper, J. Christ Gallery, Boise, Idaho
Drawings: An Annual Bicoastal Invitational ,Meyerson & Nowinski, Seattle, WA
Sharon Lockhart, Laura Owens and Frances Stark, Blum & Poe, Santa Monica CA
Ten Los Angeles Artists,Stephen Wirtz Gallery, San Francisco, CA
1996 The Power of Suggestion: Narrative & Notation in Contemporary Drawings, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Just Past: The Contemporary and Permanent Collection 1975-1996, Museum of Contemporary Art at The Geffen Contemporary, Los Angeles, CA
Stream of Consciousness, 8 Los Angeles Artists, University of California, Santa Barbara, CA, catalogue
Affairs, Institute for Contemporary Art, Vienna, Austria
Controfiguro, Studio Guenzani, Milan, Italy
Krisanamis/Stark, Marc Foxx, Santa Monica, CA
First Person, Marc Foxx, Santa Monica, CA
1995 Dark Memories, Marc Foxx, Santa Monica CA
Filmcuts, Neugerriemschneider, Berlin, Germany
New Testament, Marc Foxx, Santa Monica CA
Smells Like Vinyl, Roger Merians, New York, NY
Gavin Brown's Enterprise, New York, NY
1994 Inaugural Exhibition, ACME, Santa Monica, CA
The Freed Weed, Richard Telles Fine Art, Los Angeles, CA
Red Rover, Red Rover, Three Day Weekend, Los Angeles, CA
The Grammarians, Chapman College, Orange, CA
1993 Invitational '93,Regen Projects, Los Angeles, CA
Zuzuglich,Merz Akademie und Room Tomoyo Kawai, Stuttgart, Germany
PUBLICATIONS
2012 Stark, Frances. My Best Thing. Köln: Buchhandlung Walther König, 2012
2010 Stark, Frances. This could become a gimmick (sic) or an honest articulation of the
workings of the mind. Cambridge: MIT List Visual Art Center, 2010
2009 But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom
one would like to lend a sheet?. Nottingham: Nottingham Contemporary, 2009
2008 Stark, Frances, Annette Südbeck, and Martin Prinzhorn. A Torment of Follies.
Wien: Seccesion; Köln: Verlag der Buchhandlung Walther König, 2008
2007 Frances Stark: Collected Work, Van Abbemuseum
2003 Stark, Frances. Collected Writing: 1993 – 2003. London: Opus 3/book Works, 2003
Stark, Frances. “A beholder of fragments and ruiner of plans” in PersonlichePlane, Kunsthalle Basel, CH
Artext No. 75, 10SNE1
Artext No. 74, TYPE: Pull-Quoteable
Artext No. 73, Type: Hard to Be at Home, p.33-4
Artext No. 72, Type: Greek Revival, p.34-5
Artext No. 71, Type: No Values, p.20-21
X-Tra, Volume 3, Number 4, the Importance of Planning, p.28-30
Implosion: Bas Jan Ader, A Craft Too Small, ed. Christopher Mueller, Verlag der Buchhandlung Walther Koenig, Cologne
Texte Zur Kunst, Bildstrecke, June 2000 #38
Jorge Pardo, The Architect and the Housewife, ed. Barbara Steiner & Joern Schafaff, Hatje Cantz Verlag, Ostfilder- Ruit
Mall Punk Magazine, Issue 1, Fall 2000, Dear Reader, Damien Echols, p.22-4
Artext No. 70, Type: The Secret Life, p.22-3
Artext No. 69, Type: Into the Millenium (The Criminals), p.42-3
Artext No.68, Type: Knowledge Evanescent, p.42-3
1999 Artext No. 67, Type: Professional Me, p.42-3
The Architect & The Housewife, Open House/Book Works Projects, London
Nach Bild, Kunstahalle Basel, 25/1999, Schwabe & Co. AG, Verlag Basel
Artforum, Top Ten, November 1999, p.60
X-Tra, Vol. 3, Issue 1, Excerpts from the Architect and the Housewife, p.5-6
Michael Craig-Martin und Raymond Pettibon, Wanzeichnungen, Raymond Pettibon & Frances Stark- A Conversation, Kunstverein, Dusseldorf
Users: Olafur Eliasson, Pennetralia, Sao Paolo Biennial / DCA Foundation, Copenhagen
Great God Pan, No. 11, cover art, p.51-2
Sentiment & Vagrancy: Kevin Hanley, I-20, New York
More and Less, Bliss, Editor, Sylvere Lotringer
Asteroid Impaired: Righteous American Fiction, Upon My Arrival, ed.
Benjamin Weissman
1994 Framework, Spring ‘94, Untitled Short
More and Less, Premiere Issue, “Your Highness (and mine)”
The Grammarians, Chapman College, Orange, CA
1993 Now Time No.3: “The Kid”
“Untitled”, LACE in conjunction w/ Jean Lowe exhibition “Real Nature”, Editor/Curator, Richard Hawkins
Felix, Volume 1, Number 3: “Nymph Text” (with Patti Podesta)
1992 The Underthings, catalogue text, Bliss, Pasadena, CA
READINGS
2002 Royal College of Art, London
2001 Yale, New Haven, CT
Readings from Scripts by Raymond Pettibon, Santa Monica Museum of Art, Santa Monica, CA
Jurgen Becker Gallery, Hamburg, Germany
1999 Museum of Contemporary Art, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA
The Hanbury Community Project, Hanbury Hall, London UK
1998 University of Illinois Chicago, Gallery 400, Chicago, IL
Art Center College of Design, Pasadena, CA
University of California Los Angeles, Los Angeles, CA
School of the Art Institute of Chicago, Chicago, IL
SFMOMA, New Collector’s Forum, San Francisco, CA
“One Half Hour of Air”, KXLU, Los Angeles, CA
School of the Art Institute of Chicago, Chicago
1997 CRG, New York, NY
Eagle Rock Cultural Center, Los Angeles, CA
Seca, Gallery Paule Anglim, San Francisco, CA
University of California Santa Barbara, Santa Barbara, CA
Art Institute of Chicago, Chicago
Cal State LA, Women History Month Guest, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA
1996 University of California Los Angeles, Los Angeles, CA
Studio Guenzani, Milan, Italy
Künstlerhaus Bethanian, Berlin, Germany
Kunstverein in Hamburg, Germany
Merz Akademie, Stuttgart, Germany
1995 Mellon Foundation Guest, CALARTS, Valencia, CA
Beyond Baroque Literary Arts Center, Venice,CA
1994 Beyond Baroque Literary Arts Center, Venice,CA
1993 “Twenty Fall Into Three” Museum of Contemporary Art, L.A., CA
Regen Projects, Los Angeles, CA
Los Angeles Poetry Festival, Barnsdall Art Park, Los Angeles, CA
SELECTED BIBLIOGRAPHY
2002 Wood, Eve, Frances Stark at the UCLA Hammer Museum, Artweek, October, p. 21
Comer, Stuart, Air Guitar: Art Reconsidering Rock Music, July, p.58
Arnatt, Matthew, Zusammenhange herstellen, Contextuale, Kunst-verein Hamburg (12 June - 25 Aug), DuMont Literatur und Kunst Verlag, p. 71-75 (catalogue)
Wilsher, Mark, Frances Stark Self-Portraiture, What's On, 3-10 April, p. 25
Newhouse, Kristina, Frances Stark at UCLA Hammer Museum, Los Angeles,
art / text, p. 91
Ammirati, Domenick, Modern Painters, April, p.114-115
Rugoff, Ralpph. “Untimely Mediations” in Rock My World: Recent Art and Memory of Rock & Roll, CCAC Wattis Institute for Contemporary Arts
Ebner, Joern “Nigel Cooke bei Modern Art und Frances Stark bei greengrassi in London” #75, March 30,, p. 56.
2001 Cameron, Dan. “Recurring Patterns” in Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
Richard, Frances. Artforum, December
Smith, Roberta. New York TImes, October 12
Tumlir, Jan. Artext, No. 71, November 2000-January 2001, p.42-51
Relyea, Lane. Public Offerings, “L.A. - Based and Superstructure”, p.265
Prinzhorn, Martin. Afterall, “The housewife in public”, p.104-111, “All things to all people”, p.112-120, Issue 04
Cruz, Amanda. Fresh Cream- Contemporary Art in Culture, p.574-579
Holert, Tom. Frieze, “Frances Stark- Daniel Buchholz Gallery, Cologne”
1999 D’Souza,Aruna,Art in America, Reviews, May p.152-53
Erikson, Karl. Cakewalk, Fall 1999, Issue No. 3, p.64
Levin, Kim. Village Voice, “Voice Choices”, February 2, 1999, p.80
1998 Giovanni Intra, Art/Text, No. 61, May-June 1998, p. 82 - 83
Terry R. Meyers, On Paper, Vol. 2 No. 5 May - June 1998, p. 49
Doug Harvey, Art Issues, Summer 1998, p.42
Laura Owens, Cakewalk, Spring / Summer 1998 pp. 13 - 14
Giovanni Intra, FlashArt, Sharon Lockhart, Laura Owens & Frances Stark, p. 76
Bruce Hainley, Artforum, Sharon Lockhart, Laura Owens & Frances Stark,
p. 119-20
Susan Kandel, L.A. Times, Exploring Power of Three Among Friends, July 4, p. F18
Klaus Thejll Jakobsen, Ojeblikket, #32/33, Summer ‘97
Vitcoria Martin, Art Week, August, Volume 28 #8
Regina Hackett, Seattle Post Intelligencer, “Ephemeral Themes”, July 11
Glen Helfand, Bay Guardian, Art Museum and Galleries, May 7
Russell Ferguson, Sunshine Noir: Art in L.A. 1960-1997, “The Sound of Ripping Canvas”, Louisiana Museum of Modern Art, Humlebaek, Denmark
Lisa Anne Auerbach, L.A. Weekly, Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe, June 27-July 3, 1997
Chris Schnoor, 3 Syllables, Performance on Paper, June 1997, #8
David Bonetti, San Francisco Examiner, Gallery Watch, May 9
Dennis Cooper, Artforum, Openings, p. 80 - 81, April 1997
2000 Cornelia Butler, The Power of Suggestion: Narrative and Notation in Contemporary Drawing, The Museum of Contemporary Art, Los Angeles
Christopher Knight, L.A. Times, “Riding Tradition’s Currents to a Higher ‘Consciousness’” F4, October 9
Elizabeth Brown, Stream of Consciousness, University of California at Santa Barbara
David Pagel, L.A. Times, “Isolated Concepts”, February , F12
1993 Michael Anderson, Art Issues, "Invitational '93", Number 31
David DiMichele, Artweek, Fresh Work, Invitational ‘93, Vol. 24, #21 Nov. 4
Susan Kandel, L.A. Times, Invitational ‘93’s Controlling Personas, Oct.14
COLLECTIONS
Museum of Contemporary Art, Los Angeles
Los Angeles County Museum of Art, “Art: Here and Now”, 1997 Purchase
San Francisco Museum of Modern Art